[1]林晨阳.从赵之谦旅居福州时期金石书画看其书风印风嬗变[J].泉州师范学院学报,2020,(01):91-96.
 LIN Chenyang.The Transmutation of Zhao Zhiqian's Calligraphy and Sealstyle from his Jinshi Calligraphies and Paintings during his stay in Fuzhou[J].,2020,(01):91-96.
点击复制

从赵之谦旅居福州时期金石书画看其书风印风嬗变()
分享到:

《泉州师范学院学报》[ISSN:1006-6977/CN:61-1281/TN]

卷:
期数:
2020年01期
页码:
91-96
栏目:
艺术研究
出版日期:
2020-02-15

文章信息/Info

Title:
The Transmutation of Zhao Zhiqian's Calligraphy and Sealstyle from his Jinshi Calligraphies and Paintings during his stay in Fuzhou
文章编号:
1009-8224(2020)01-0091-06
作者:
林晨阳
泉州师范学院 文学与传播学院,福建 泉州 362000
Author(s):
LIN Chenyang
School of Literature and Communication, Quanzhou Normal University, Fujian 362000,China
关键词:
赵之谦 交游 书风 印风
Keywords:
Zhao Zhiqian friendship style of calligraphy printing style.
分类号:
J292.26
文献标志码:
A
摘要:
赵之谦是晚清时期著名的书画篆刻艺术大师,在其艺术生涯中,篆刻与书法作品皆取得了重大成就。他在经历了师法、继承古人与前人后,自成一格,在晚清艺坛可谓是独树一帜。其一生中,因“太平天国”运动的爆发,曾致使其避居温州、福州一段时间。而在这一段避居生活中,因生活场域的变化而促使其个人交游的改变,亦对其印风和书风的变化产生了影响。通过对其在福州时期所作金石书画与其进京后的代表作品进行梳理与对比,我们可以清晰的发现其书法与篆刻风格发生了巨大的变化,从而给予其旅居福州时期在其艺术生涯中所占重要位置的认定。
Abstract:
Zhao Zhiqian was a famous master of seal carving in calligraphy and painting in the late Qing Dynasty. In his artistic career,both seal carving and calligraphic works made great achievements.He was unique in the late Qing Dynasty art circle after experiencing teaching,inheriting the ancients and predecessors. During his lifetime,because of the outbreak of the “Taiping Heavenly Kingdom” movement,he had to live in Wenzhou and Fuzhou for a period of time. In this period of avoidance life,the change of personal communication caused by the change of living field has also influenced the change of its carving and calligraphy style.Through combing and comparing his Jinshi Calligraphy paintings made in Fuzhou period with his representative works after entering Beijing,we can clearly find that their calligraphy and seal carving styles have changed greatly, thus giving them the recognition of their important position in their artistic career during their residence in Fuzhou.

参考文献/References:

[1] 邹涛.赵之谦年谱[M].北京:荣宝斋出版社,2003.
[2] 戴家妙.赵之谦集[M].杭州:江古籍出版社,2015.
[3] 刘正成.中国书法全集?赵之谦卷[M].北京:荣宝斋出版社,2004.
[4] 张小庄.别有狂言谢时望 但开风气不为师[D].南京:南京师范大学,2005.
[5] 赵而昌.赵之谦尺牍[M].上海:上海书店出版社,1992.
[6] 陈振濂.日本藏赵之谦金石书画精选[M].杭州:西泠印社出版社,2008.
[7] 沈惠强.君匋艺术院藏三家名印二百品[M].上海:上海书画出版社,2019.
[8] 黄惇.中国历代印风系列?赵之谦印风(附胡䦆)[M].重庆:重庆出版社,2011.
[9] 杨宪金.明清名家诗词手迹鉴赏?篆书篇[M].北京:中国书店,2008.
[10] 田谧,王浩,杨帆.赵之谦早期交游与其篆刻风格流变之关系[J].中国书画,2016(8):35-35.
[11] 魏锡曾.绩语堂论印汇录《美术丛书》第三集第二辑[M].南京:江苏古籍出版社,1999.

备注/Memo

备注/Memo:
收稿日期:2019-09-27
作者简介:林晨阳(1994-),男,福建福州人,硕士生,主要从事书法理论与创作研究。
基金项目:泉州师范学院2019年研究生科研基金项目
更新日期/Last Update: 2020-02-15