[1]汤博云.泉州开元寺古印度教石柱图像及其艺术特征[J].泉州师范学院学报,2020,(05):81-86.
 TANG Boyun.The Image of Ancient India Stone Pillars in Kaiyuan Temple in Quanzhou and their ArtisticCharacteristics[J].,2020,(05):81-86.
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泉州开元寺古印度教石柱图像及其艺术特征()
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《泉州师范学院学报》[ISSN:1006-6977/CN:61-1281/TN]

卷:
期数:
2020年05期
页码:
81-86
栏目:
艺术研究
出版日期:
2020-10-15

文章信息/Info

Title:
The Image of Ancient India Stone Pillars in Kaiyuan Temple in Quanzhou and their ArtisticCharacteristics
文章编号:
1009-8224(2020)05-0081-06
作者:
汤博云12
1.亚洲大学 创意设计学院,台湾 台中 86-400; 2.泉州师范学院 美术与设计学院,福建 泉州 362000
Author(s):
TANG Boyun12
1.Asia University,Taiwan 86 400,China; 2.Quanzhou Normal University,Fujian 362000,China
关键词:
多元宗教 文化共融 图像
Keywords:
Multiple religions cultural integration images
分类号:
J196
文献标志码:
A
摘要:
泉州开元寺大雄宝殿后廊的古印度教建筑构件十六边柱融合了印度教文化与中国传统文化,极具艺术价值。该图像折射出宋元四百年间,在泉州地区的各国政治、经济、宗教文化相互交织与影响,多元宗教文化共融,所形成的颇有特色的泉州多元文化。蕴含于十六边柱图像中的古印度宗教建筑、文化内涵和多元宗教雕刻艺术特征,展示中华传统儒家思想“海纳百川”接纳异族、外国宗教文化之胸怀。
Abstract:
The sixteen side pillars of ancient India architecture on the back corridor ofthe Daxiong Hall of Kaiyuan Temple in Quanzhou combine India culture and traditionalChinese culture, which is of great artistic value. This image reflects the interweaving andinfluence of the political, economic, and religious cultures from various countries inQuanzhou during the four hundred years of the Song and Yuan dynasties, and the integrationof multiple religious cultures has formed the distinctive Quanzhou multiculturalism. Theancient Indian religious architecture, cultural connotation, and artistic features ofmulti religious sculptures contained in the image of the sixteen side pillars show thetraditional Chinese Confucianism that embraces foreign and foreign religious cultures.

参考文献/References:

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[3] 吴文良,吴幼雄.泉州宗教石刻·增订本[M].北京:科学出版社,2005.
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备注/Memo

备注/Memo:
收稿日期:2020-02-16
作者简介:汤博云(1990-),女,河南商丘人,助教,博士生,主要从事视觉传达设计研究。
更新日期/Last Update: 2020-10-15